16,941 Royalty-Free Audio Tracks for "Formal Sections In Music Analysis"

Choro "Aguenta, seu Fulgêncio" (composed by Lourenço Lamartine and Pixinguinha) played by Pixinguinha (flute). 1929 (RCA Victor Talking Machine Company of Brazil).

Šur Daramad

Šur Forud

Šur Daramad

Šur Forud

Šur Forud

Šur Forud

Šur Daramad

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Piano rendition of bars 13–16 from Francisco Tárrega's composition for solo guitar "Gran vals" (1902) as used in Nokia's Nokia tune

The Bee's Knees performed by the Virginians, Victor 19000A

Cuerdas al aire de un charango Richter (temple natural: 1º mi, 2º la, 3º mi, 4º do, 5º sol).

Chopin Nocturne in F minor

Octatonic bars from Sarabande from English Suite No 3

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

Vivaldi Winter from the Four Seasons

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Cello concerto no. 1 in a minor, op. 33 - ii. allegretto con moto.

Jesse James is a 19th century American folk song. This version was recorded by typewriter salesman Bentley Ball in 1919. It is considered to be the first recording of the Western Music genre.

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Bei stiller Nacht, zur ersten Wacht; Gotteslob (1975) Hildesheim 824; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 763

Arthur Pryor's "That Flying Rag" played by Arthur Pryor's Band, in an arrangement by Louis-Philippe Laurendeau. This is Victor Record 17021, Matrix B-11240. (Full details)

A part of Thorvi's song.

Bride of the Waves, cornet solo composed and performed by Clarke

Ogopogo Song from a shellac 78 rpm record, performed by Paul Whiteman Orchestra. The instrumentation includes 2 violins, 4 saxophones, 2 cornets, 2 trombones, tuba, banjo, piano, and traps.

The Wagon, a 19th century song early example of Ragtime, performed by Ben Harney in Philadelphia, Pennsylvania on about September 9, 1925

Arthur Fields sings Hunting the Hun, recorded 1918. It was a hit during the first world war and also a strong seller the years after. Arthur Fields singt Hunting the Hun, aufgenommen 1918. Der Titel war ein großer Hit während des Ersten Weltkrieges und verkaufte sich auch danach noch gut.

Cello concerto no. 1 in a minor, op. 33 - i. allegro non troppo

Composed by Teng Yu-hsien, written by Lin Lin-chiu, published in 1933 by the Columbia Records at Taiwan of the Japanese Empire.

Miss Trombone (composed 1908), ragtime by Henry Fillmore. Played by The Indestructible Military Band.

Linear progression in Mozart Piano Sonata in G major.

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Cello Concerto No. 1 in A minor, op. 33 - 3rd movement (tempo primo)

Enrico Caruso and Antonio Scotti sing "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème in a 1907 recording. This is Matrix C-4315, and was released under various labels under the variant name "Ah Mimi, tu piu". (details)

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

Chromatic analysis of measures 5-9 of Cesar Franck's Variations Symphoniques (1885). Roman numeral analysis by Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. ISBN 0-396-06752-2.

From a radio broadcast, c. 1932

Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.

Excerpt from a radio broadcast featuring Gus Arnheim & His Orchestra with vocals by Harry Barris and "three Ambassadors."

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Wohlbekannte Melodie mit Oktavsprüngen

Holberg Suite prelude bars 1-2 string version

Holberg Suite, prelude, bars 1-2, piano version

The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.

Holberg Suite, Prelude bars 31-4 piano version

Franck Violin Sonata first movement, bars 1-8

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Wohlbekannte Melodie